A Proletarian Classics
A Proletarian Classics, edited by David Movrin (Ljubljana), Elżbieta Olechowska (Warsaw) and Henry Stead (SACRA) is an open-access volume of essays investigating the relationship between ancient Greek and Roman culture and mainly European communism from 1917. The articles were first delivered as papers at the international conference held at St Andrews in October 2021 and sponsored by the Classical Reception Studies Network.
This publication represents a continuation of the Classics and Communism project, of which SACRA is a member, but also constitutes the early stages of a new strand of the project seeking to uncover, or recover, the leftist tradition of engagements with classical antiquity both inside and outwith the academy.
Many such engagements have been suppressed or obscured by Cold War attitudes. For the many and now well-documented limitations and shortcomings of Soviet classical studies, applying a Marxist lens had a dramatic impact on academia on both sides of the Iron Curtain. Studies conducted under, or influenced by the strictures of Marxism-Leninism were sometimes decades ahead of Western scholarship (e.g., imperialism, slavery). It would be a mistake to suggest that these approaches and analyses were not already developing in Western Europe and the States, but they were undoubtedly energized by the electricity of the revolutionary period and sustained by the (for a time) utopian symbol of the Soviet alternative.
Beyond the academy, class-conscious and politically motivated creative practitioners learned from public-facing studies written by scholars with communist sympathies. The broad-rimmed and perhaps slightly quizzical lens of “proletarian classics” will, we hope, continue to provoke, to generate new “ways in,” and encourage new ground to be broken by students and scholars across the globe.